Artist-Dirty Projectors
Album-Rise Above
Release Date-Sep 11, 2007
Genre/Style-Lo-Fi/Indie Rock
Official site-http://www.westernvinyl.com/dirty_projectors.htm
Myspace-http://www.myspace.com/dirtyprojectors
Biography-http://en.wikipedia.org/wiki/The_Dirty_Projectors
Youtube-http://www.youtube.com/watch?v=e7Hh4mamSYs
Review-Tiny Mix Tapes: Sonically, Rise Above is just another healthy dose of what Longstreth does best. Anomalous harmonies, quirky time signatures, and spontaneous rock-outs punctuate the album’s 11 tracks.
Dusted Magazine: The result is one of the most formally radical indie records in recent memory. It also happens to be Dirty Projectors’ all-around best, not least because it most closely recreates the kinetic force of their live performances.
Prefix Magazine: Rise Above is deliberately challenging and obtuse; its ceaseless changes and refusal to settle are its most important similarities to Damaged's abrasive and exhaustive loudness. Translating Black Flag's anti-intellectual screed into arty free-jazz concept is one thing. That it actually merits repeat listens is another altogether.
Pitchfork: Rise Above will drop plenty of jaws, and, like Deerhoof, Dirty Projectors are restructuring rock on a compositional level rather than a sonic one.
Product-buy it here
link1 or link2
(The file links are just for pre-reviewed purpose and will be removed in 24 hours.)
Album-Rise Above
Release Date-Sep 11, 2007
Genre/Style-Lo-Fi/Indie Rock
Official site-http://www.westernvinyl.com/dirty_projectors.htm
Myspace-http://www.myspace.com/dirtyprojectors
Biography-http://en.wikipedia.org/wiki/The_Dirty_Projectors
Youtube-http://www.youtube.com/watch?v=e7Hh4mamSYs
Review-Tiny Mix Tapes: Sonically, Rise Above is just another healthy dose of what Longstreth does best. Anomalous harmonies, quirky time signatures, and spontaneous rock-outs punctuate the album’s 11 tracks.
Dusted Magazine: The result is one of the most formally radical indie records in recent memory. It also happens to be Dirty Projectors’ all-around best, not least because it most closely recreates the kinetic force of their live performances.
Prefix Magazine: Rise Above is deliberately challenging and obtuse; its ceaseless changes and refusal to settle are its most important similarities to Damaged's abrasive and exhaustive loudness. Translating Black Flag's anti-intellectual screed into arty free-jazz concept is one thing. That it actually merits repeat listens is another altogether.
Pitchfork: Rise Above will drop plenty of jaws, and, like Deerhoof, Dirty Projectors are restructuring rock on a compositional level rather than a sonic one.
Product-buy it here
link1 or link2
(The file links are just for pre-reviewed purpose and will be removed in 24 hours.)
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