Album-The Trials of Van Occupanther
Release Date-Jul 25, 2006
Biography-by William Ruhlmann The lo-fi rock quintet Midlake was formed in Denton, TX, in 2000 by a group of musicians who had attended the North Texas School of Music together: Paul Alexander (bass, keyboards), Eric Nichelson (keyboards, guitar), Eric Pulido (guitar, keyboards, background vocals), Tim Smith (vocals, keyboards, guitar), and Mckenzie Smith (drums). They issued their own EP, Milkmaid Grand Army, in 2001, and sold 1,000 copies at their Texas gigs. They attracted the attention of Simon Raymonde, who signed them to his Bella Union label in the U.K., leading to European concerts and the recording of their first full-length album, Bamnan and Slivercork, which was released in July 2004. For their next album, the band changes gears and moved away from the psychedelic leanings of their debut toward a more '70s-influenced sound. 2006's The Trials of Van Occupanther featured the same lineup and a sound reminiscent of harmony-rich soft rock bands like America and Laurel Canyon troubadours like Neil Young and Gene Clark.
Review-by Tim Sendra Midlake's second album is a departure from their lo-fi, psychedelic pop-influenced debut. The Trials of Van Occupanther jumps with both feet into the '70s of Laurel Canyon troubadours and soft rock balladeers. It jumps like Bob Beamon right past any other current bands treading similar ground and jumps back into time, becoming one of the best examples of the sound and style you'll ever hear, date of release notwithstanding. The first thing you notice on the album is the stunning vocal harmonies; you might think you dropped in an America disc by mistake. (The best record America ever did, that is.) Tim Smith has the kind of voice you know could be a glass-shattering instrument on par with that of Buckley or Wainwright, but he keeps it dialed down to an intimate scale, which is a wise decision. His vocals bleed melancholy honesty, and the way it combines with Eric Pulido's voice will raise goose bumps. The arrangements provide a perfect bed for the vocals, with cottony layers of acoustic guitars and strings, gentle horns, restrained drums, and lyrical piano combining beautifully. The occasional surprises are effective, especially when they use some of the corniest synth sounds heard since Jan Hammer unstrapped his keytar for the last time, on "We Gathered in Spring" and "It Covers the Hillside." All of which is nice but isn't worth much without songs. Fortunately, Midlake writes unerringly tuneful melodies and thoughtful lyrics about topics other than love and introspection, and lays down plenty of gentle hooks. Nothing that you'll be singing in the shower for days at a time, but each song goes down smoothly and they add up to make The Trials of Van Occupanther a very pleasant, maybe even exciting in a restrained way, listening experience. You'll certainly find yourself reaching for it more often than you might expect; indeed, it has lasting power that many records that sound so good on first listen lack. Midlake might be stuck in the '70s, but they make it sound like the best place on earth.
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Saturday, August 26, 2006
Midlake--The Trials of Van Occupanther (2006)