The Shadows--Life Story: The Very Best of the Shadows (2004)

Artist-The Shadows
Album-Life Story: The Very Best of the Shadows
Release Date-Jun 15, 2004
Label-Universal International
Genre/Style-Instrumental Rock/British Invasion Early British Pop/ Rock
Format-mp3
Size-168M
Quality-160kbps

Tracks-

Disc: 1 1. Apache 2. Man Of Mystery 3. Shadoogie '83 4. Shindig 5. Wonderful Land 6. The Rise And Fall Of Flingel Bunt 7. The Boys 8. The Theme From "The Deerhunter" (Cavatina) 9. The Frightened City 10. Theme For Young Lovers 11. Dance On 12. The Savage 13. Albatross 14. F.B.I. 15. Guitar Tango 16. Genie With The Light Brown Lamp 17. Atlantis 18. Foot Tapper 19. Don't Cry For Me Argentina 20. Kon-Tiki 21. Telstar 22. The Third Man 23. Geronimo 24. Equinoxe (Part V) 25. The Stranger 26. Riders In The Sky

Disc: 2 1. Mountains Of The Moon 2. Moonlight Shadow 3. You Win Again 4. Memory (from 'Cats') 5. I Guess That's Why They Call It The Blues 6. Thing-Me-Jig 7. Life Story 8. Johnny Stacatto 9. Summer Love 59 10. Turning Point 11. This Old House 12. Chariots of Fire 13. Crockett's Theme (from 'Miami Vice') 14. Midnight Creepin' 15. Going Home (Theme from 'Local Hero') 16. Every Breath You Take 17. Africa 18. Walk of Life 19. Dancing In The Dark

Review-by Bruce Eder

This double-CD set looks generous enough (and it is) and sounds good enough (and it's better than good in the audio department), but it also has a major flaw that listeners should know about — it does not have any of their classic -'60s or '70s sides. Rather, this CD is drawn from the Shadows' '80s output and beyond, when Hank Marvin, Bruce Welch, and Brian Bennett, as the core of the band, were producing the material themselves. There are excellent quality remakes of the band's early-'60s hits, but there's also a lot of material from more recent decades, such as the group's renditions of "Memory" (from Cats), "Crockett's Theme" (from Miami Vice), and "Don't Cry for Me Argentina"." The mix is a little more pop-oriented than fans of the group's early history may like, but overall this is a good — if not complete or comprehensive — look at the group's complete musical history as a self-contained unit. There is no annotation, alas, and in that aspect of its packaging this does have a somewhat threadbare feel.

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